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CEILING LIGHT | CARINA

$300 $380
-21%

A soft cream glass sphere floats above a warm walnut wood base, casting light that feels less like a lamp and more like a candle burning in the ceiling. Mid-century balance meets everyday comfort in a shape that pairs equally with rustic and refined interiors. A quiet centerpiece for bedrooms, hallways and small dining nooks.

"Canopus draws its name from the second-brightest star in the sky, seen only from the southern horizon."

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SPECIFICATION keyboard_arrow_down
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Type: Pendant Light

Material: Glass, Wood (Walnut), Metal

Light Source: E27 LED (3 Color)

Bulbs Included: Yes (optional)

Dimmable: Yes (3 color changeable)

Light Direction: Diffuse

Installation: Ceiling Mounted (Flush)

Power Supply: AC

Voltage: 90 – 260 V

Lighting Area: 3 – 5 m² / 30 – 50 ft²

Compatible Rooms: Bedroom, Hallway, Dining Room, Living Room

DIMENSIONS keyboard_arrow_down
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Ø = Diameter

Diameter: 28 cm / 11.0 in

Height: 16 cm / 6.3 in

Base diameter: 12 cm / 4.7 in

SHIPPING keyboard_arrow_down
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Orders are processed Monday through Friday, within 1-2 business days after order confirmation.

Delivery takes 6 to 18 business days, depending on the product and your location.

You will receive tracking information within 24 hours of your order leaving our warehouse, sent to the email address provided at checkout.

View our full shipping policy

RETURNS keyboard_arrow_down
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Returns and exchanges are accepted within 14 days of receiving your order.

To initiate a return, contact us with your order number.

View our full return & refund policy

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Three Light Modes in One

CARINA integrates three color temperatures directly into the fixture (a crisp cool white for task use, a warm 2700K for evening, and a balanced neutral in between) cycled from your existing wall switch with no dimmer or app required.

This means the same ceiling light can behave like three different fixtures over the course of a day: bright and clear in the morning above an entryway or bathroom, neutral and steady mid-day for reading, and warm and mellow at night for winding down.

It is a small piece of considered engineering that lets a single flush-mount replace what would otherwise require multiple fixtures or a smart-home rig, and it does so without asking you to change your habits or install anything extra.

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Cream Glass, Walnut Base

The globe is moulded from opal cream glass with a subtle amber warmth captured inside the material itself, which means the fixture reads soft and glowing even when the bulb is switched off.

It sits on a solid walnut wood collar, precisely turned and finished with a natural oil that lets the grain speak, adding a quiet mid-century warmth that a painted or plastic mount could never match. The pairing of pale hand-blown-look glass with real hardwood is a small but deliberate luxury detail, the kind that a discerning eye picks up instantly.

When lit, the glass diffuses the light into a soft, enveloping halo rather than a harsh point source, and the walnut base picks up warm reflections from below, giving the whole fixture a gentle glow that reads intimate rather than functional.

The designers we work with imagine the finest lighting

They follow the trends, play with styles and select quality materials to bring you unique pieces, full of character, that fit every living space.

GALAXY LIGHTING Discover the making of one of our pieces
Galaxy Lighting design studio, a glass globe pendant light on the worktable

How a Galaxy light comes to life

A good drawing is not enough: the material still has to accept becoming it. Before a shape is approved, we go through it with the workshops that will make it, to find out what can genuinely be machined. Here is how one of our pieces came to be.

Galaxy Lighting team reviewing interior style trends on screen
01

The style

It all starts with a trend. Our team follows what is circulating on Pinterest, Instagram and the interior blogs, and picks up the styles that are rising. When one of them keeps coming back and there is something worth inventing around it, we go to the workshops with a direction: here is where we want to go, what can you do in that style? This one was wabi-sabi, with its raw materials, imperfect surfaces and muted colours.

At the same time we look at the rooms the light will have to live in. Most of ours are deliberately versatile: this one sits as easily in a bedroom as in a hallway or a low-ceilinged living room. Only a few pieces are tied to one spot, like a sconce made for a headboard or a pendant sized for a kitchen island.

Travertine, wood, rattan and glass material samples laid out on a worktable
02

Choosing the material

Wabi-sabi calls for stone, but not any stone. Marble is too polished for it, slate too cold. Travertine has open pores that hold the light instead of bouncing it away, and a warm beige that turns golden once lit from within. Its natural pitting means no two pieces come out identical, which is exactly the point of this style. And because stone on its own reads cold, it needs a counterpart: a visible wood grain in a dark tone, deep enough to anchor the centre without weighing the piece down.

Stone workshop bench with a travertine disc, diamond blade and callipers
03

What can actually be made

This is where a lot of pretty drawings die. Wood is forgiving: it bends, it sands, it takes a stain, and a mistake can be fixed. Stone does not. Travertine is hard, brittle, riddled with cavities, and it forgives nothing: let the blade overheat and the piece cracks. So before going any further, we check with the workshop that the shape can actually be cut, from the diameter to the thickness of the rim and the hollow in the middle, and that they have the tooling for it.

Technical drawing of the ceiling light next to the lit prototype
04

Drawing and prototyping

Two offset circles: a wide stone disc that washes the ceiling with light, and a narrower band holding the diffuser. Those proportions get drawn and redrawn, since a stone rim that is too thin looks cheap and too thick turns heavy. Then a real piece is built and switched on, and we watch the halo on the ceiling, the warmth of the tone and the way the pores of the stone catch the glow.

Travertine block and slab being cut with a diamond blade under water
05

From block to piece

Travertine leaves the quarry in blocks, sliced into slabs with a diamond wire. Far from all of it is kept: we look for an area with enough pitting to stay alive, but no cavity wide enough to weaken the cut. A good part of the block ends up as offcut, and that is the price of this stone. The piece that makes the cut is shaped with a diamond blade under water, the water keeping it from overheating and chipping, then hollowed out, sanded in finer and finer passes and consolidated where the cavities run deep.

Customer unboxing the finished travertine ceiling light at home
06

Packed and shipped

Once the light is right, the workshop runs the series. The pieces reach the warehouse, where they are packed one by one before being shipped, on their way to light up a new home.