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CEILING LIGHT | IRIS

$180 $230
-22%

A flower-petal shade in tinted glass mounts flush against the ceiling, softening the room with a splash of colored light. Each blown silhouette recalls the golden age of Art Deco, where lighting was a statement not just a fixture. Available in green, clear and vibrant fuchsia, above a hallway, a bedside or the corner of a small living space.

"IRIS draws its name from an asteroid and a flower, twin symbols of grace and dawn."

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SPECIFICATION keyboard_arrow_down
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Type: Ceiling Light

Material: Glass, Metal

Light Source: E27 LED

Bulbs Included: No

Dimmable: No

Light Direction: Diffuse

Installation: Ceiling Mounted (Flush)

Power Supply: AC

Voltage: 90 to 260 V

Lighting Area: 3 to 5 m² / 30 to 50 ft²

Compatible Rooms: Hallway, Entryway, Bedroom, Bedside, Small Living Space

DIMENSIONS keyboard_arrow_down
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Ø = Diameter, H = Body height

Small ('1' variants) — Shade diameter: 18 cm / 7.1 in

Small — Body height: 15 cm / 5.9 in

Large ('2' variants) — Shade diameter: 28 cm / 11.0 in

Large — Body height: 20 cm / 7.9 in

Canopy diameter (both sizes): 10 cm / 3.9 in

SHIPPING keyboard_arrow_down
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Orders are processed Monday through Friday, within 1-2 business days after order confirmation.

Delivery takes 6 to 18 business days, depending on the product and your location.

You will receive tracking information within 24 hours of your order leaving our warehouse, sent to the email address provided at checkout.

View our full shipping policy

RETURNS keyboard_arrow_down
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Returns and exchanges are accepted within 14 days of receiving your order.

To initiate a return, contact us with your order number.

View our full return & refund policy

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Bold Fuchsia, Soft Green

The vibrant fuchsia version is IRIS at its most striking, a translucent shade that casts a soft pink glow across the ceiling and the walls around it, turning a small hallway or a bedside corner into an unmistakably intentional decorative statement.

Saturated colour in lighting is a rare and confident choice: it commits the room to a mood rather than sitting in the neutral background, and it rewards that commitment with a piece that becomes the immediate focal point every time the light is turned on.

A leafy green variant is also available for a quieter, more organic take on the same silhouette, ideal for interiors where the ambition is warmth and calm rather than bold accent.

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Petal-Shaped Glass

Each shade is moulded from tinted glass into a soft, plant-inspired silhouette with a scalloped ruffled edge, so the piece reads as a delicate botanical sculpture rather than a flat ceiling fixture.

The glass itself is coloured in the mass rather than surface-painted, which means the tint remains rich and stable over years of use and glows through evenly from within when lit. Every reflection, every ambient light in the room, is picked up and re-emitted through the coloured shell, animating the piece continuously.

Set on a small warm brass collar, the shade seems to float just below the ceiling like a single unfurled leaf, its silhouette catching daylight during the day and turning into a warm coloured beacon at night.

The designers we work with imagine the finest lighting

They follow the trends, play with styles and select quality materials to bring you unique pieces, full of character, that fit every living space.

GALAXY LIGHTING Discover the making of one of our pieces
Galaxy Lighting design studio, a glass globe pendant light on the worktable

How a Galaxy light comes to life

A good drawing is not enough: the material still has to accept becoming it. Before a shape is approved, we go through it with the workshops that will make it, to find out what can genuinely be machined. Here is how one of our pieces came to be.

Galaxy Lighting team reviewing interior style trends on screen
01

The style

It all starts with a trend. Our team follows what is circulating on Pinterest, Instagram and the interior blogs, and picks up the styles that are rising. When one of them keeps coming back and there is something worth inventing around it, we go to the workshops with a direction: here is where we want to go, what can you do in that style? This one was wabi-sabi, with its raw materials, imperfect surfaces and muted colours.

At the same time we look at the rooms the light will have to live in. Most of ours are deliberately versatile: this one sits as easily in a bedroom as in a hallway or a low-ceilinged living room. Only a few pieces are tied to one spot, like a sconce made for a headboard or a pendant sized for a kitchen island.

Travertine, wood, rattan and glass material samples laid out on a worktable
02

Choosing the material

Wabi-sabi calls for stone, but not any stone. Marble is too polished for it, slate too cold. Travertine has open pores that hold the light instead of bouncing it away, and a warm beige that turns golden once lit from within. Its natural pitting means no two pieces come out identical, which is exactly the point of this style. And because stone on its own reads cold, it needs a counterpart: a visible wood grain in a dark tone, deep enough to anchor the centre without weighing the piece down.

Stone workshop bench with a travertine disc, diamond blade and callipers
03

What can actually be made

This is where a lot of pretty drawings die. Wood is forgiving: it bends, it sands, it takes a stain, and a mistake can be fixed. Stone does not. Travertine is hard, brittle, riddled with cavities, and it forgives nothing: let the blade overheat and the piece cracks. So before going any further, we check with the workshop that the shape can actually be cut, from the diameter to the thickness of the rim and the hollow in the middle, and that they have the tooling for it.

Technical drawing of the ceiling light next to the lit prototype
04

Drawing and prototyping

Two offset circles: a wide stone disc that washes the ceiling with light, and a narrower band holding the diffuser. Those proportions get drawn and redrawn, since a stone rim that is too thin looks cheap and too thick turns heavy. Then a real piece is built and switched on, and we watch the halo on the ceiling, the warmth of the tone and the way the pores of the stone catch the glow.

Travertine block and slab being cut with a diamond blade under water
05

From block to piece

Travertine leaves the quarry in blocks, sliced into slabs with a diamond wire. Far from all of it is kept: we look for an area with enough pitting to stay alive, but no cavity wide enough to weaken the cut. A good part of the block ends up as offcut, and that is the price of this stone. The piece that makes the cut is shaped with a diamond blade under water, the water keeping it from overheating and chipping, then hollowed out, sanded in finer and finer passes and consolidated where the cavities run deep.

Customer unboxing the finished travertine ceiling light at home
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Packed and shipped

Once the light is right, the workshop runs the series. The pieces reach the warehouse, where they are packed one by one before being shipped, on their way to light up a new home.