check_circle error info report

Cart (0)

Your cart is empty

WALL SCONCE | THEIA

$329 $359
-8%

A globe of K9 crystal glass set stone by stone into a metal frame, carried on two crossed ribbons of polished steel, with a faceted drop hanging beneath. Sold as a pair, because this is a fixture that is almost never hung alone.

"Theia was the titaness of light, mother of the sun and the moon, and the one the Greeks thanked for the shine of silver and gold."

Finish
100% Secure payment 1 year warranty Free shipping on all orders
Visa Mastercard Apple Pay Google Pay Shop Pay American Express Diners Club Discover
SPECIFICATION keyboard_arrow_down
add remove

Type: Wall Sconce, sold as a set of two

Quantity: 2 sconces per set

Style: Art Deco

Shade Material: K9 Crystal Glass set in a metal frame

Frame Material: Iron, polished finish

Finish: Chrome or Gold, depending on the variant chosen

Light Source: E26 bulb, your choice, not included

Dimmable: Yes with a dimmable bulb, standard with a regular one

Light Direction: Diffused through the K9 crystal glass globe, with bright points cast on the wall

Mounting: Semi Flush Mount, Hard-Wired

Mounting Hardware: Included in the box

Suitable Location: Dry locations only, indoor use

Power Supply: AC

Voltage: 110 - 240 V

Compatible Rooms: Bedroom, Living Room, Hallway, Dressing Room, Home Office

DIMENSIONS keyboard_arrow_down
add remove

Width: 5.5" / 14 cm

Height: 9.5" / 24 cm

Extension from the wall: 4" / 10 cm

Backplate: 4" / 10 cm

SHIPPING keyboard_arrow_down
add remove

Orders are processed Monday through Friday, within 1-2 business days after order confirmation.

Delivery takes 6 to 18 business days, depending on the product and your location.

You will receive tracking information within 24 hours of your order leaving our warehouse, sent to the email address provided at checkout.

View our full shipping policy

RETURNS keyboard_arrow_down
add remove

Returns and exchanges are accepted within 14 days of receiving your order.

To initiate a return, contact us with your order number.

View our full return & refund policy

Installing the crystal globe wall sconce play_circle

Mounted in a Few Minutes

Filmed during a real installation.

The backplate goes on two screws, the wires connect behind it, and the crystal globe drops onto the socket at the end. No specialist tooling, and nothing to cut into the wall beyond the two fixing points.

Crystal globe wall sconces in a bedroom, a dressing table, a living room and an office Image

One Fixture, Every Wall of the House

A pair either side of the bed, at the height where a bedside lamp would sit, and the nightstands are free again.

A pair framing a dressing table mirror, where the light lands on the face rather than behind it.

A pair on a chimney breast, in a hallway, above a desk. At 5.5 inches wide and standing 9.5 inches tall, it is small enough not to eat a wall and bright enough not to disappear into it.

They come as a set of two, which is how this kind of sconce is almost always hung. Symmetry is the whole point.

Close up of the cut crystal globe and its metal frame Image

A Globe of K9 Crystal Glass on Crossed Steel

The globe is not a moulded shell. Every crystal is set individually in its own metal ring and wired to the ones around it, row by row, which is why the surface catches the light differently depending on where you stand.

Behind it, two ribbons of polished steel cross and curl around the socket, and a single faceted drop hangs below on a short chain. It is the detail that turns a wall light into a piece of jewellery.

Lit, the crystal breaks the bulb into dozens of bright points across the wall instead of a flat pool. Unlit, it keeps catching daylight from the window. A standard E26 socket takes the bulb of your choice.

The designers we work with imagine the finest lighting

They follow the trends, play with styles and select quality materials to bring you unique pieces, full of character, that fit every living space.

GALAXY LIGHTING Discover the making of one of our pieces
Galaxy Lighting design studio, a glass globe pendant light on the worktable

How a Galaxy light comes to life

A good drawing is not enough: the material still has to accept becoming it. Before a shape is approved, we go through it with the workshops that will make it, to find out what can genuinely be machined. Here is how one of our pieces came to be.

Galaxy Lighting team reviewing interior style trends on screen
01

The style

It all starts with a trend. Our team follows what is circulating on Pinterest, Instagram and the interior blogs, and picks up the styles that are rising. When one of them keeps coming back and there is something worth inventing around it, we go to the workshops with a direction: here is where we want to go, what can you do in that style? This one was wabi-sabi, with its raw materials, imperfect surfaces and muted colours.

At the same time we look at the rooms the light will have to live in. Most of ours are deliberately versatile: this one sits as easily in a bedroom as in a hallway or a low-ceilinged living room. Only a few pieces are tied to one spot, like a sconce made for a headboard or a pendant sized for a kitchen island.

Travertine, wood, rattan and glass material samples laid out on a worktable
02

Choosing the material

Wabi-sabi calls for stone, but not any stone. Marble is too polished for it, slate too cold. Travertine has open pores that hold the light instead of bouncing it away, and a warm beige that turns golden once lit from within. Its natural pitting means no two pieces come out identical, which is exactly the point of this style. And because stone on its own reads cold, it needs a counterpart: a visible wood grain in a dark tone, deep enough to anchor the centre without weighing the piece down.

Stone workshop bench with a travertine disc, diamond blade and callipers
03

What can actually be made

This is where a lot of pretty drawings die. Wood is forgiving: it bends, it sands, it takes a stain, and a mistake can be fixed. Stone does not. Travertine is hard, brittle, riddled with cavities, and it forgives nothing: let the blade overheat and the piece cracks. So before going any further, we check with the workshop that the shape can actually be cut, from the diameter to the thickness of the rim and the hollow in the middle, and that they have the tooling for it.

Technical drawing of the ceiling light next to the lit prototype
04

Drawing and prototyping

Two offset circles: a wide stone disc that washes the ceiling with light, and a narrower band holding the diffuser. Those proportions get drawn and redrawn, since a stone rim that is too thin looks cheap and too thick turns heavy. Then a real piece is built and switched on, and we watch the halo on the ceiling, the warmth of the tone and the way the pores of the stone catch the glow.

Travertine block and slab being cut with a diamond blade under water
05

From block to piece

Travertine leaves the quarry in blocks, sliced into slabs with a diamond wire. Far from all of it is kept: we look for an area with enough pitting to stay alive, but no cavity wide enough to weaken the cut. A good part of the block ends up as offcut, and that is the price of this stone. The piece that makes the cut is shaped with a diamond blade under water, the water keeping it from overheating and chipping, then hollowed out, sanded in finer and finer passes and consolidated where the cavities run deep.

Customer unboxing the finished travertine ceiling light at home
06

Packed and shipped

Once the light is right, the workshop runs the series. The pieces reach the warehouse, where they are packed one by one before being shipped, on their way to light up a new home.