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PENDANT LIGHT | NOVA

$175 $225
-22%

NOVA stops the eye with a bold color contrast, a saturated red sphere perched on top of a broad, flat disc in cream, emerald or crimson. The playful Bauhaus geometry lets the pendant work as much as a piece of graphic art as a source of light. A downward diffuser sends the LED glow evenly across the table below, keeping the composition airy despite the strong silhouette.

"NOVA draws its name from the Latin for 'new star', a stellar flash that suddenly appears bright in the night sky, echoed in the bold red sphere crowning this pendant."

Body Color
Size
Emitting Color
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SPECIFICATION keyboard_arrow_down
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Type: Pendant Light

Material: Iron, Resin

Light Source: LED (built-in)

Bulbs Included: Yes (built-in)

Dimmable: No

Light Direction: Downward

Installation: Ceiling-mounted, adjustable cord

Power Supply: 18 to 24W

Voltage: 110V AC

Lighting Area: 10 to 15 m² / 108 to 161 ft²

Compatible Rooms: Dining Room, Kitchen, Living Room, Bedroom

DIMENSIONS keyboard_arrow_down
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Ø = Diameter, H = Body height

Diameter: 30 cm / 11.8 in or 40 cm / 15.7 in

Body height: 9 cm / 3.5 in

Cord length: 140 cm / 55.1 in (adjustable)

SHIPPING keyboard_arrow_down
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Orders are processed Monday through Friday, within 1-2 business days after order confirmation.

Delivery takes 6 to 18 business days, depending on the product and your location.

You will receive tracking information within 24 hours of your order leaving our warehouse, sent to the email address provided at checkout.

View our full shipping policy

RETURNS keyboard_arrow_down
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Returns and exchanges are accepted within 14 days of receiving your order.

To initiate a return, contact us with your order number.

View our full return & refund policy

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Focused, Warm Downlight

The lower diffuser projects a soft, even downward glow over whatever sits beneath it, whether a dining table, a kitchen island, a reading nook or a small bar area, without ever glaring or hot-spotting.

The LED is warm-tuned and diffused through the underside of the disc, which spreads the light gently across the surface below and flatters food, glassware, tableware and skin tones alike, making the fixture as functional over a family dining table as it is over a formal one.

The 140 cm adjustable cord fits both standard American ceilings and taller loft or vaulted spaces, and the pendant reads visually anchored at every drop height, from a low intimate hang above a two-seat table to a taller hang above a full six-person dining bench.

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A Bold Bauhaus Silhouette

A saturated red sphere sits confidently on top of a broad, flat disc, the classic Bauhaus play of contrasting primary geometry and pure primary colour, translated into a modern pendant fixture with none of the compromises of a museum reproduction.

The disc is available in a warm cream beige, a rich emerald green or a deep crimson red, each finish applied uniformly across the full surface and set against the constant scarlet sphere at the top. The colour contrasts are strong on purpose: the piece is meant to read as a graphic composition, not as a discreet fixture blending into the ceiling.

Every element (the sphere, the flat disc, the thin black cord, the small round canopy) has been reduced to its purest geometric expression, so the pendant works as much as an object of art as a source of light, in perfect keeping with the Bauhaus tradition it borrows from.

The designers we work with imagine the finest lighting

They follow the trends, play with styles and select quality materials to bring you unique pieces, full of character, that fit every living space.

GALAXY LIGHTING Discover the making of one of our pieces
Galaxy Lighting design studio, a glass globe pendant light on the worktable

How a Galaxy light comes to life

A good drawing is not enough: the material still has to accept becoming it. Before a shape is approved, we go through it with the workshops that will make it, to find out what can genuinely be machined. Here is how one of our pieces came to be.

Galaxy Lighting team reviewing interior style trends on screen
01

The style

It all starts with a trend. Our team follows what is circulating on Pinterest, Instagram and the interior blogs, and picks up the styles that are rising. When one of them keeps coming back and there is something worth inventing around it, we go to the workshops with a direction: here is where we want to go, what can you do in that style? This one was wabi-sabi, with its raw materials, imperfect surfaces and muted colours.

At the same time we look at the rooms the light will have to live in. Most of ours are deliberately versatile: this one sits as easily in a bedroom as in a hallway or a low-ceilinged living room. Only a few pieces are tied to one spot, like a sconce made for a headboard or a pendant sized for a kitchen island.

Travertine, wood, rattan and glass material samples laid out on a worktable
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Choosing the material

Wabi-sabi calls for stone, but not any stone. Marble is too polished for it, slate too cold. Travertine has open pores that hold the light instead of bouncing it away, and a warm beige that turns golden once lit from within. Its natural pitting means no two pieces come out identical, which is exactly the point of this style. And because stone on its own reads cold, it needs a counterpart: a visible wood grain in a dark tone, deep enough to anchor the centre without weighing the piece down.

Stone workshop bench with a travertine disc, diamond blade and callipers
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What can actually be made

This is where a lot of pretty drawings die. Wood is forgiving: it bends, it sands, it takes a stain, and a mistake can be fixed. Stone does not. Travertine is hard, brittle, riddled with cavities, and it forgives nothing: let the blade overheat and the piece cracks. So before going any further, we check with the workshop that the shape can actually be cut, from the diameter to the thickness of the rim and the hollow in the middle, and that they have the tooling for it.

Technical drawing of the ceiling light next to the lit prototype
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Drawing and prototyping

Two offset circles: a wide stone disc that washes the ceiling with light, and a narrower band holding the diffuser. Those proportions get drawn and redrawn, since a stone rim that is too thin looks cheap and too thick turns heavy. Then a real piece is built and switched on, and we watch the halo on the ceiling, the warmth of the tone and the way the pores of the stone catch the glow.

Travertine block and slab being cut with a diamond blade under water
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From block to piece

Travertine leaves the quarry in blocks, sliced into slabs with a diamond wire. Far from all of it is kept: we look for an area with enough pitting to stay alive, but no cavity wide enough to weaken the cut. A good part of the block ends up as offcut, and that is the price of this stone. The piece that makes the cut is shaped with a diamond blade under water, the water keeping it from overheating and chipping, then hollowed out, sanded in finer and finer passes and consolidated where the cavities run deep.

Customer unboxing the finished travertine ceiling light at home
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Packed and shipped

Once the light is right, the workshop runs the series. The pieces reach the warehouse, where they are packed one by one before being shipped, on their way to light up a new home.