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WALL LAMP | PERSEUS

$120 $170
-29%

PERSEUS traces a clean linear composition across the wall, slim vertical bars broken by short crossing strokes to form a modern minimalist glyph. The aluminum finish, offered in matte gold or matte black, catches light along its edges and pushes a soft warm glow forward. Behind a sofa, a headboard or a corridor, it reads like a graphic drawing brought to life.

"PERSEUS draws its name from the constellation of the Greek hero, whose alignment of bright stars traces a bold, linear path across the sky, echoed in these vertical LED strokes."

Lampshade Color
Wattage
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SPECIFICATION keyboard_arrow_down
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Type: Wall Lamp

Material: Aluminum, Silica gel diffuser

Light Source: LED (built-in)

Bulbs Included: Yes (built-in)

Dimmable: Yes (on infinite-dimming version)

Light Direction: Ambient, indirect

Installation: Hardwired, wall-mounted

Power Supply: 12 to 18W depending on length

Voltage: 110V AC

Lighting Area: 8 to 15 m² / 86 to 161 ft²

Compatible Rooms: Living Room, Bedroom, Hallway

DIMENSIONS keyboard_arrow_down
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L = Length, W = Width, D = Depth from wall

Length: 60 / 80 / 100 cm (23.6 / 31.5 / 39.4 in)

Width: 13 cm / 5.1 in

Depth: 5 cm / 2.0 in

SHIPPING keyboard_arrow_down
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Orders are processed Monday through Friday, within 1-2 business days after order confirmation.

Delivery takes 6 to 18 business days, depending on the product and your location.

You will receive tracking information within 24 hours of your order leaving our warehouse, sent to the email address provided at checkout.

View our full shipping policy

RETURNS keyboard_arrow_down
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Returns and exchanges are accepted within 14 days of receiving your order.

To initiate a return, contact us with your order number.

View our full return & refund policy

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Three Lengths, Two Finishes

PERSEUS is available in three lengths (60, 80 or 100 cm) and in two finishes (a warm brushed gold or a deep matte black), giving six distinct options to match the scale and mood of the room precisely rather than approximately.

The 60 cm sits discreetly next to a bedside table or in a compact hallway, the 80 cm reads as a considered statement above a sofa or console, and the 100 cm becomes an unmistakable architectural line behind a king headboard or across a wide living-room wall.

The infinite-dimming version adds a whole extra register of use: full brightness for daily activities, low warm glow for late evenings, and every intermediate level in between, all controlled directly from the fixture itself rather than requiring a wall dimmer or smart hub.

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A Linear Composition of Light

Slim aluminum bars cross at gentle angles to build a graphic, almost calligraphic drawing along the wall, the kind of minimal composition that reads as one considered mark rather than a lighting fixture attached to plaster.

Each bar is finished in either a soft brushed gold or a deep matte black, both applied with an even hand so the finish holds evenly along the full length of the bar without visible seams or pooling. The metalwork is precise, deliberate and unmistakably contemporary.

The interior LED runs the full length of each bar and glows uniformly from top to bottom, throwing an even wash of warm light across the surface behind the fixture rather than concentrating in a single point, which lifts the wall itself into part of the composition.

The designers we work with imagine the finest lighting

They follow the trends, play with styles and select quality materials to bring you unique pieces, full of character, that fit every living space.

GALAXY LIGHTING Discover the making of one of our pieces
Galaxy Lighting design studio, a glass globe pendant light on the worktable

How a Galaxy light comes to life

A good drawing is not enough: the material still has to accept becoming it. Before a shape is approved, we go through it with the workshops that will make it, to find out what can genuinely be machined. Here is how one of our pieces came to be.

Galaxy Lighting team reviewing interior style trends on screen
01

The style

It all starts with a trend. Our team follows what is circulating on Pinterest, Instagram and the interior blogs, and picks up the styles that are rising. When one of them keeps coming back and there is something worth inventing around it, we go to the workshops with a direction: here is where we want to go, what can you do in that style? This one was wabi-sabi, with its raw materials, imperfect surfaces and muted colours.

At the same time we look at the rooms the light will have to live in. Most of ours are deliberately versatile: this one sits as easily in a bedroom as in a hallway or a low-ceilinged living room. Only a few pieces are tied to one spot, like a sconce made for a headboard or a pendant sized for a kitchen island.

Travertine, wood, rattan and glass material samples laid out on a worktable
02

Choosing the material

Wabi-sabi calls for stone, but not any stone. Marble is too polished for it, slate too cold. Travertine has open pores that hold the light instead of bouncing it away, and a warm beige that turns golden once lit from within. Its natural pitting means no two pieces come out identical, which is exactly the point of this style. And because stone on its own reads cold, it needs a counterpart: a visible wood grain in a dark tone, deep enough to anchor the centre without weighing the piece down.

Stone workshop bench with a travertine disc, diamond blade and callipers
03

What can actually be made

This is where a lot of pretty drawings die. Wood is forgiving: it bends, it sands, it takes a stain, and a mistake can be fixed. Stone does not. Travertine is hard, brittle, riddled with cavities, and it forgives nothing: let the blade overheat and the piece cracks. So before going any further, we check with the workshop that the shape can actually be cut, from the diameter to the thickness of the rim and the hollow in the middle, and that they have the tooling for it.

Technical drawing of the ceiling light next to the lit prototype
04

Drawing and prototyping

Two offset circles: a wide stone disc that washes the ceiling with light, and a narrower band holding the diffuser. Those proportions get drawn and redrawn, since a stone rim that is too thin looks cheap and too thick turns heavy. Then a real piece is built and switched on, and we watch the halo on the ceiling, the warmth of the tone and the way the pores of the stone catch the glow.

Travertine block and slab being cut with a diamond blade under water
05

From block to piece

Travertine leaves the quarry in blocks, sliced into slabs with a diamond wire. Far from all of it is kept: we look for an area with enough pitting to stay alive, but no cavity wide enough to weaken the cut. A good part of the block ends up as offcut, and that is the price of this stone. The piece that makes the cut is shaped with a diamond blade under water, the water keeping it from overheating and chipping, then hollowed out, sanded in finer and finer passes and consolidated where the cavities run deep.

Customer unboxing the finished travertine ceiling light at home
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Packed and shipped

Once the light is right, the workshop runs the series. The pieces reach the warehouse, where they are packed one by one before being shipped, on their way to light up a new home.