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WALL SCONCE | MEISSA

$79 $99
-20%

MEISSA lifts a small sculpture of light onto the wall, two acrylic loops interlocking around a warm gold band. The finely striated shells refract the LED core into a soft, jewel-like glow that reads more decorative object than functional fixture. Whether flanking a mirror, a bedside or a hallway, it turns a plain wall into a refined focal point.

"MEISSA draws its name from λ Orionis, a luminous double star in the head of Orion that shines as one, just like these two intertwined loops that merge into a single glowing form."

Lampshade Color
Color Temperature
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SPECIFICATION keyboard_arrow_down
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Type: Wall Sconce

Material: Acrylic, Aluminum

Light Source: LED (built-in)

Bulbs Included: Yes (built-in)

Dimmable: No

Light Direction: Ambient, upward and downward glow

Installation: Hardwired, wall-mounted

Power Supply: 5W

Voltage: 110V AC

Lighting Area: 3 to 5 m² / 32 to 54 ft²

Compatible Rooms: Bedroom, Living Room, Hallway, Staircase

DIMENSIONS keyboard_arrow_down
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W = Width, H = Height, D = Wall stand-off

Height: 22 cm / 8.7 in

Width: 7 cm / 2.8 in

Wall stand-off: 8 cm / 3.1 in

SHIPPING keyboard_arrow_down
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Orders are processed Monday through Friday, within 1-2 business days after order confirmation.

Delivery takes 6 to 18 business days, depending on the product and your location.

You will receive tracking information within 24 hours of your order leaving our warehouse, sent to the email address provided at checkout.

View our full shipping policy

RETURNS keyboard_arrow_down
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Returns and exchanges are accepted within 14 days of receiving your order.

To initiate a return, contact us with your order number.

View our full return & refund policy

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A Refined Wall Accent

MEISSA measures barely 22 cm in height, which keeps it discreet enough to hang beside a bedside table, in a compact entryway or along a small hallway without dominating the space. Yet its sculpted three-dimensional presence, its brushed metallic band and its refracted light give it the impact of a much larger statement piece, a rare combination of restraint and character in a small format.

Because the fixture reads as an ornament first and a light second, it slips naturally into a variety of interior schemes: it belongs above a mid-century walnut nightstand as easily as against a moulded panelled wall in a more traditional living room, and it holds its own next to marble, plaster, timber or wallpaper alike.

Order a single unit for a discrete accent, or install a matched pair on either side of a headboard, a console table or a bathroom mirror. In every configuration MEISSA turns plain wall space into a considered, quietly luxurious detail, a small object of light rather than a passive fixture.

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Twin Loops of Warm Light

The two moulded acrylic loops are set at a subtle offset and joined by a slim polished brass band at their center, creating a single continuous silhouette that reads as one interlocked ribbon rather than two separate elements.

Along the surface of each loop, a network of fine vertical striations catches the internal LED and breaks it into a dense field of tiny reflections, so the glow travels along the acrylic in soft parallel lines rather than as a flat wash. The effect is quietly precious, the sconce reading less like a light source and more like a small piece of illuminated jewellery mounted on the wall.

The central brass band acts almost as a bracelet holding the composition together, its warm polish contrasting with the cool crystalline clarity of the acrylic on either side. Even when the light is switched off, the fixture holds its own as a sculptural object, catching daylight through the same striations and shifting appearance as the room's natural light changes.

The designers we work with imagine the finest lighting

They follow the trends, play with styles and select quality materials to bring you unique pieces, full of character, that fit every living space.

GALAXY LIGHTING Discover the making of one of our pieces
Galaxy Lighting design studio, a glass globe pendant light on the worktable

How a Galaxy light comes to life

A good drawing is not enough: the material still has to accept becoming it. Before a shape is approved, we go through it with the workshops that will make it, to find out what can genuinely be machined. Here is how one of our pieces came to be.

Galaxy Lighting team reviewing interior style trends on screen
01

The style

It all starts with a trend. Our team follows what is circulating on Pinterest, Instagram and the interior blogs, and picks up the styles that are rising. When one of them keeps coming back and there is something worth inventing around it, we go to the workshops with a direction: here is where we want to go, what can you do in that style? This one was wabi-sabi, with its raw materials, imperfect surfaces and muted colours.

At the same time we look at the rooms the light will have to live in. Most of ours are deliberately versatile: this one sits as easily in a bedroom as in a hallway or a low-ceilinged living room. Only a few pieces are tied to one spot, like a sconce made for a headboard or a pendant sized for a kitchen island.

Travertine, wood, rattan and glass material samples laid out on a worktable
02

Choosing the material

Wabi-sabi calls for stone, but not any stone. Marble is too polished for it, slate too cold. Travertine has open pores that hold the light instead of bouncing it away, and a warm beige that turns golden once lit from within. Its natural pitting means no two pieces come out identical, which is exactly the point of this style. And because stone on its own reads cold, it needs a counterpart: a visible wood grain in a dark tone, deep enough to anchor the centre without weighing the piece down.

Stone workshop bench with a travertine disc, diamond blade and callipers
03

What can actually be made

This is where a lot of pretty drawings die. Wood is forgiving: it bends, it sands, it takes a stain, and a mistake can be fixed. Stone does not. Travertine is hard, brittle, riddled with cavities, and it forgives nothing: let the blade overheat and the piece cracks. So before going any further, we check with the workshop that the shape can actually be cut, from the diameter to the thickness of the rim and the hollow in the middle, and that they have the tooling for it.

Technical drawing of the ceiling light next to the lit prototype
04

Drawing and prototyping

Two offset circles: a wide stone disc that washes the ceiling with light, and a narrower band holding the diffuser. Those proportions get drawn and redrawn, since a stone rim that is too thin looks cheap and too thick turns heavy. Then a real piece is built and switched on, and we watch the halo on the ceiling, the warmth of the tone and the way the pores of the stone catch the glow.

Travertine block and slab being cut with a diamond blade under water
05

From block to piece

Travertine leaves the quarry in blocks, sliced into slabs with a diamond wire. Far from all of it is kept: we look for an area with enough pitting to stay alive, but no cavity wide enough to weaken the cut. A good part of the block ends up as offcut, and that is the price of this stone. The piece that makes the cut is shaped with a diamond blade under water, the water keeping it from overheating and chipping, then hollowed out, sanded in finer and finer passes and consolidated where the cavities run deep.

Customer unboxing the finished travertine ceiling light at home
06

Packed and shipped

Once the light is right, the workshop runs the series. The pieces reach the warehouse, where they are packed one by one before being shipped, on their way to light up a new home.